Thursday, November 12, 2009

Is Digital Archival?

Prints are still being made from Ansel Adams' negatives that are over sixty years old because they are inherently archival.


Will the same be true of digital files?


Will your children and grandchildren be able to look through a box of your digital files sixty years from now? Will the media be readable, and will there be anything to read it with?


The answer is NO if you’ve been using Sony’s AIT drives to archive and backup your files because they are being discontinued.


For over a decade, tape has been a primary archive and backup media for many IT professionals. It is considered by many to have a longer archival shelf life than hard drives. Up until the last year or two, tape was also cheaper per GB than hard drives, although that is no longer true. I suspect that the price drop in hard drive storage, coupled with new storage approaches have caused IT professionals to change their buying patterns.


In practical terms, what this means is that if you are using AIT, you need to immediately find a new backup media. It also means that it’s only a matter of time before you won’t have a drive available to read your archive of AIT Tapes. Your archive essentially just got reset to zero, because you’ll only be able to access it for as long as you can scrounge up drives on Ebay. Basically you need to rebuild your archive all over again if you’ve been using AIT tapes.


It’s becoming clear that digital files are not an archival medium, and that it takes constant investment to protect your archive in even an imperfect way. Even the Academy of Motion Picture Arts and Sciences realizes this. They’ve calculated that it’s less expensive and more archival to write digital movies to B&W separation negatives than it is to store a digital copy. In fact, they claim there is no archival digital storage method at all!!! Yikes!


All this makes the Millenniata/Cranberry archival DVDs a whole lot more interesting, but at 4.7 GB per disk, it’s not a efficient way to back up terabytes of files. And even if the media last as long as they claim, there’s still the problem of finding a reader that can read it 25+ years from now, and the cost of $16 per blank disk.


What’s my point? That we are constantly in danger of losing our digital photographs because there is no archival storage medium that we can be sure will be readable one hundred years from now. With my own eyes, I’ve seen the negative that makes Ansel Adam’s photograph Clearing Winter Storm, made in approximately 1939, and it’s still readable with the naked eye, and can be put into an enlarger and printed.


To achieve the same thing with digital we have to have media that doesn’t degrade, we need devices to read it, and we need software that still works with Windows 2070 SP6. No one has solved this one yet. Until someone does, make prints, which will be readable for a long time to come.

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Monday, November 02, 2009

What to do when the lights go out?


by Rich Seiling


This is probably the most unglamorous article that can be written about maintaining a digital imaging workstation, but believe it or not, paying attention to the electricity going into your computer is important. Computers need a constant and regular supply of electricity to maintain normal function. 


You want normal function, right?


Yes, you do, especially when you are transferring the photos from your latest amazing adventure to your hard drive.



Leave the lights on, I’m scared!


All kinds of screwy things can happen to your computer because of power outages.  Probably the worst is a hard crash, the equivalent of your computer hitting a brick wall at 50 mph with a cup of coffee in its hand.  Everything your computer was in the process of doing comes to a dead stop, and some of it goes flying all about, in a metaphorical sense. You really don’t want this to happen in the middle of a data transfer.


If you’re using a RAID to mirror your files, it makes for even more problems. A hard crash usually causes the RAID to go out of sync, which initiates a rebuild, which leaves your data without redundancy during the rebuild, and exposes you to risk of loosing your files.



What can brown-out do for you


Fortunately, there is an answer, in the form of a UPS. Not the little brown truck that delivers your online purchases, but an uninterruptible power supply. A UPS in its simplest form is a battery that continues to power your computer should there be a blackout.


The idea is to power your computer long enough to save your work and shut down it down before the battery dies. But in practice they can do even more than that. A UPS can condition power so your computer is getting a consistent voltage, and can carry you through brownouts, overvolt, or undervolt situations, all of which are probably more common they you might think. (Look at what a Main Bus B undervolt did for Apollo 13!)


Another great feature is that most UPSs can connect with your computer and turn it off before the battery runs out, so that you’re protected even when your computer is unattended.



Does this UPS make me look fat?


With a UPS, size is an important thing. If your computer and accessories draw more power than your UPS is designed for, it won’t protect you! When the power goes out, the UPS will be overloaded and it will turn off, taking your computer and devices with it!


For a UPS to be useful, you want it to be bigger than the load you intend to plug into it. To do that, you have to know how much power your computer and accessories pull. 


If you want to know the size UPS you need with great precision, buy a Kill-A-Watt watt meter that lets you measure the VA (volt amps) that your system pulls. 


Computers and other devices pull a greater load at startup than in normal operation, and your UPS has to be large enough to handle this peak load, so we need to measure it. Plug in all of your equipment, then while watching the Kill-A-Watt display, start up all of your equipment at the same time and record the peak load in VA.  (Warning! Never plug a laser printer into UPS! You’ll see this warning in the UPS instructions. The reason is that laser printers pull peak loads during use that can overload the average UPS.) Once you know your peak load, make sure that you use a UPS that is rated for at least 130% of that load.


Don’t want to do the test? OK, I’ll make it easy for you. I tested the following representative Photoshop workstation:


Mac Pro Tower

23 inch Apple Cinema Display

17 Inch CRT


It drew a peak of 345 VA at startup (or about 300VA once up and running.) This probably is close to what your workstation draws. So, in this case, you need a UPS that can handle at least  450 VA, but I’d feel much more comfortable UPS in the 750VA to 1000VA range. The price difference between the 750VA and 1000VA typically isn’t that much, so I usually go for the larger model. It also gives you room to add more accessories as your system grows.



How long will my battery last?

When you read the specs for a UPS, you’ll see an estimated runtime, which tells you how long the UPS should run without power. This measurement is usually given for a “half load”, meaning that if you are drawing half the rated load, say 500VA from a 1000VA UPS, it’s probably accurate. The larger the load, the less time the battery will last. If you are pulling anywhere close to a full load on your UPS, the battery isn’t going to last long at all, rendering it pretty much useless, so you don’t want to pull a full load!


How do you make sure you aren’t overloading your UPS? You can use the Kill-A-Watt meter, but an easier way is to choose a UPS that has a display that tells you how much load your devices are pulling. Then with a quick glance, you can tell what the load is. My personal preference is to pull no more than 50-60% of maximum power on my UPSs.


Testing your UPS


Once you have a UPS, and have everything plugged in, you need to test it. The easiest way is to use the test button (if available) but what I like to do is pull the plug of the UPS while the computer is running to see if it all still works. It may be a little dramatic, but I feel a real sense of confidence watching the computer run while I’m holding the power plug in my hand.


Where to buy

A 750-1000VA UPS isn’t the little UPS you see advertised in the Sunday circulars for $39.95. Best Buy might have them, but you may need to visit a computer store or go online to find the model you need. Expect to pay $100-$150 for a UPS this size, and watch out for shipping charges. The batteries in a UPS are made with lead, so they are heavy! You should also take care when lifting them, unless you like back pain.


Choosing bigger is usually better, but you’re not buying a UPS to run for hours at a time. If you need that kind or runtime, you need a generator and a UPS. But if you need to run multiple computers from a UPS, it’s usually cheaper to buy one big one than lots of little ones. A 1500VA battery will comfortably run two workstations, as long as they are close enough for the cords to reach the UPS.


Buying a UPS is probably the most boring $150 you’ll ever spend, but it will help you protect those thousands of dollars you’ve invested in creating priceless images. To me, it’s as vital as the $5 lens cap on my expensive lens. Not very exciting, but cheap protection for something very valuable



UPS manufacturers:

APC

Belkin

CyberPower  

Tripp Lite

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Thursday, October 01, 2009

SSDs for Rugged Storage


by Rich Seiling

If you are looking for super rugged storage for your photographs while in the field, you should look at the new Solid State Disks (SSD) that are hitting the market.

While there are only a few vendors for these drives right now, that will change soon, and prices should drop dramatically. This will likely make SSDs the standard for rugged field storage.

An SSD is more rugged than a hard drive because there are no moving parts, which means it’s far less susceptible damage if it’s dropped or otherwise abused. Hard disk drives, on the other hand, have many of moving parts that can go out of whack if handled roughly.

How much do they cost? Look at this pricing from Other World Computing for their Mercury On-The-Go Pro Drives using SSD:

64GB $279.99
128GB $449.99
256GB $729.99

Currently, traditional hard drives cost far less per GB, but considering the rigors of field photography, the ruggedness of an SSD may be worth it to you.

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Friday, April 24, 2009

The Idiot’s Guide to Restoring a Failed RAID 1 Hard Drive

In my last post I recommended you use a RAID 1 drive like those offered by Western Digital and LaCie as the primary storage for your photos.

Taking that simple step will offer a huge measure of protection to most photographers.

But buying the drive is only part of the battle. You have to know what to do when it fails, because some day a light on that drive is going to start blinking, warning you that one of the drives in the RAID has failed, and you are back to having your files on one drive. When that happens, you need to take immediate action to restore protection of your files.

Taking Action

If you read the manuals, most RAID 1 drives have options to replace the faulty disk with a new drive, then let the RAID automatically rebuild. This means you have to open up your RAID case, find and replace the faulty drive, and then have the RAID rebuild itself. If you select the wrong drive, or make one error, it could destroy your entire RAID structure, thus compromising all of your files.

This solution is technically possible, but I think for most users it’s a process fraught with huge risks. I believe you are more likely to mess something up than fix it. That’s because you’re stepping into a mine field, and the manual is not a good enough map to get you through. One misstep means your data goes kaboom! Even experienced IT professionals can make costly mistakes here.

Furthermore, if the “good” drive fails during rebuild, you will lose all of your files.

I think there is a far simpler solution that minimizes risks, almost guarantees success, and is still cost effective. I call it “The Idiot’s Guide to Restoring a Failed RAID 1 Hard Drive”

First, do a backup so you have a current copy of the good drive. If you have multiple backup sets, update as many of them as you can. It’s cheap insurance.

Then, DO NOT ATTEMPT TO REBUILD THE DRIVE!

Take the simplest, safest approach:

1. Shut the drive down. This is the best way to prevent further drive failures.

2. Buy a new RAID 1 drive.

3. Copy all of your data from the old failed RAID to the new RAID 1.

The cost of a new RAID 1 drive is nothing compared to the cost of having a drive recovered by a professional data recovery service. Simply copying your data to a new RAID 1 drive is so simple that any digital photographer should be able to do it correctly 99.999% of the time.

If you can’t wait a 24 hours for a new RAID 1 drive to be delivered, then keep a spare on hand. A $220 drive waiting on your shelf is cheap insurance compared to the value of your files and the cost in time and money to restore them in a worst-case scenario.

That’s it! It’s really that simple. This is a solution that you, the average photographer can use...it just comes down to making the right choices.

This leaves you with one question: What do I do with my old RAID drive? Stay tuned for that in a future post...

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Monday, April 06, 2009

Systems for Automatic Duplication

So I’ve convinced you to store your files on a volume that has automatic duplication capabilities...now the question is, which one should you buy?

There are more solutions available than ever, and fortunately there are some great options for the home user that don’t require an IT genius to set up.

My recommendation is for a RAID 1 Mirroring setup.

I think RAID 1 offers the best protection from the most common hard drive failures. That’s because most RAID 1 products allow you to access your data after a single hard drive failure. That allows you to make an immediate backup of your files to ensure you have an up-to-date copy, and it gives you many options for restoring your redundant copy.

There are many vendors for RAID 1 products, but Western Digital and LaCie stand out as having solutions that are priced for the home user, and are easy to set up and maintain.

Western Digital offers the My Book Studio Edition II. LaCie offers several solutions, with the Hard Drive MAX being the most attractively priced.

Between the two, the Western Digital product looks like the more attractive choice to me.

My prime motivator is price...the Western Digital product is about $100 cheaper than similar capacity LaCie models, which adds up quick if you need a lot of storage.

But I also like the fact that Western Digital is a larger company that is likely selling more units...and I think a larger user base for a product is always a good thing. I have no way of knowing if that really will make it a better product...it’s just a gut feeling. I haven’t used either product, so I’m just going by specs and company reputation.

Before you buy any storage solution, you should run it through my Storage Litmus Test:

Do you know how an successfully operate it successfully 100% of the time?

Read the manuals online before you buy and ask yourself if you know you can successfully operate it. If you don’t feel confident that you can, then don’t buy that solution.(And if you already have a solution, read the manuals now and see if it passes or fails the test.)


Bad Solutions and Non-Solutions

In our poll a few weeks back, several people said they are using RAID 0 Striping to protect their files. That’s bad news because RAID 0 provides less protection than a single hard drive. RAID 0 works by splitting up a file so half of it goes on one drive, and the other half goes to a second drive. If one hard drive fails, you lose all of your files. Even worse, if the data that tracks how the files are split up becomes corrupted, you lose access to all your files. RAID 0 is about speed, not protection. Don’t use it for protection!

RAID 5 is another solution some people are using. It’s been the darling of the IT industry for a long time, but I think it’s playing with fire.

About a year ago, a client had a RAID 5 fail. After about 4 weeks without access to their drives and considerable expense, they were able to recover all their data...and this was with a top-end system. They got lucky...they could have lost it all...and luck is not a protection strategy. Last I talked to them, they were investigating a RAID 1 system.

If you want to get techie about it, check out Why RAID 5 stops working in 2009.

The Drobo is also subject to the many of RAID 5’s shortcommings since it typically uses parity data to create a virtual duplicate. That means that if a second drive fails before a rebuild is complete, you can lose all of your data. I did one tweet recommending the Drobo, but I’ve since become jaundiced on it, and I’ve removed the tweet. I think RAID 1 is a much safer solution than the Drobo.

If you are using RAID 5 or a Drobo, I’d replace it with a RAID 1 immediately. Not having to rebuild a disk from parity data is a good thing.

What does Rich do?

What do I do? I use a custom RAID 1 solution that I’ve assembled to work on Mac servers. I use SoftRAID to make mirrored copies to two separate hard drives. SoftRAID doesn’t use proprietary formats, so both copies of a volume are readable on any computer...I don’t need a RAID card or enclosure to read them in event of a failure. I use Sonnet DP500 SATA enclosures with Sonnet SATA cards, and various brands of SATA hard drives. The servers run 24/7/365 and are hooked up to a battery backup to protect against short power outages. In this configuration, with dozens of hard drives, I have a drive or two fail every year, but I have not lost any data, and I have been able to keep accessing my files while the mirrored drives rebuilt. It is very fault tolerant, very simple, and has proven very reliable.

My solution does basically the same thing as the Western Digital and LaCie products, just on a larger scale.

Whatever solution you choose, remember that an automatic file duplication system like a RAID 1 is NOT a backup! It will not protect against catastrophic failures, i.e. when your hard drive is lost, stolen, or destroyed. It is meant to protect you as you are working, which is the time in between backups. It also makes it less likely you’ll need to use a backup to restore a hard drive, which can be a time consuming process (And you typically lose some files, since backups are almost always out-of-sync with your hard drive).

Buy one today, before your single hard drive fails.

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Monday, March 30, 2009

Automatic Duplication of Files

The way I protect my files from hard drive failure is using an automatic duplication system.

Instead of a storing my active files on a single hard drive, I use a solution that couples hardware or software with multiple hard drives. When I save a file on a “volume”, I see one volume on my computer, but that volume is actually two or more hard drives that my duplication system controls and presents to the computer as a single volume. And when I write a file to it that volume, it automatically writes it to at least two separate hard drives.

This is the first...and most important layer in protecting my photographs. Hard drives all fail eventually, and this is the most likely disaster I’ll encounter.

With a good automatic duplication system, when a single hard drive fails, I won’t lose any files because an exact copy (including my directory structure) is on a separate hard drive. And if I’ve chosen a good automatic duplication system, it should be easy to install a new drive and tell the system to use that drive in place of the old drive. A new duplicate of my files will be made automatically, and I can keep using my files with minimal down time.

Some examples of an automatic duplication system are RAID 1, RAID 5, and the drobo.

From the poll answers, I’m guessing few of you are using one of these solutions. The far more common approach is to only have one hard drive with a copy of the active files, then do a “backup” using a hard drive, CD, DVD, or online backup solutions. If that’s what you are doing, you are exposing yourself to a lot of risk, and I’ll explain how.


Risk One - Out-Of-Date Duplicate

Since your duplicate copy is not automatic, it is always out of date. The more out-of-date it is, the more data you lose when your hard drive fails.

Basically you’re being a human RAID 1, which is a boring job description...you’re not going to be as good at it as a computer, and the pay is horrible.

Seriously, how diligent are you about making a copy of every file you work on to your hard drive, CD, or DVD duplicate? How many times have you had only one copy of a file for days, weeks, or months? How much will you lose if your hard drive crashes right now?

Sure, you could make a copy of your hard dive every night, but the larger your hard drive gets, the longer that takes, and the less likely you are to do it. Basically you’re back to being a human RAID 1, doing what you should be automating.

Risk Two - Restoring

Let’s say you are very diligent about making duplicate copies of your files. The next challenge is restoring a copy of your hard drive from all of those files, recreating the directory structure, and making sure you have the most current file (while possibly weeding out dozens of older files). In a worst case scenario, you MIGHT be able to do it, but why put yourself in that situation?

I had to do this once, back in 1998 with a 8.6 GB hard drive, and I NEVER want to have to do that again. Trust me, you don’t either....and you’ll never find ALL of the pieces.

Doing anything other than a complete copy of your hard drive is a Humpty Dumpty backup. When the hard drive fails, all the kings horses and all the kings men are going to have a lot of pieces to try to fit back together. Even if you have all the pieces, it’s going to be hard...but you will lose some pieces.

The reality is that without an automatic duplication system, 99.9% of you are at a high risk of losing some or all of your files. Read that again and let it sink in.

All hard drives fail, and there is no way to predict when it will be. It will usually be at the worst possible moment.

The best protection is an automatic file duplication system. I wouldn’t store my files without one. In the next installment, we’ll look at some systems you can buy, and evaluate strengths and weaknesses that will show you which solution to purchase.

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Friday, March 27, 2009

Protecting Your Files Overview

I want to keep going on this topic of protecting your files because for all your digital photographs, it is of vital importance, yet there is a lot of bad information out there.

Keeping your files safe is one of those things you have to be on top of all of the time. If your files aren't safe, then you need to act immediately to make them safe.

How you do this boils down to having answers to four questions:

1. What do I do WHEN my hard drive fails?

2. What do I do if my hard drive is lost, stolen, or destroyed?

3. What do I do if I find that one or more files has become corrupt or unusable?

4. How much money am I willing to spend to lower risk level?

I’m assuming that you keep an active or working copy on a hard drive that is attached to a computer. In my mind, this is the “master” copy of a file. It’s the one I’m going to open up if I’m working on a photograph, and the one that I’m going to “backup” and protect with multiple copies in my backup strategy.

There are three strategies that I use to address my four storage questions:

1. Automatic duplication of the working copy

2. Backup of the working copy

3. Archiving

Let’s look at how these solutions answer my questions:


What do I do WHEN my hard drive fails?

This is the most important question because your hard drives will eventually fail. Even new drives fail. And the easiest way to answer this problem is to have an automatic duplication system in place. What I mean by an automatic duplication is, instead of having my files on one literal hard drive, I have it on a RAID-like system (Mirrored RAID, drobo) that automatically creates a duplicate of my file on multiple hard drives when I save it. If a single hard drive in the system fails, the system still has a good copy of my file on another hard drive that I can immediately access, and I can easily add a new hard drive to restore the duplication ability of the system. This is all automatic so I can’t forget to make the duplicate, and I don’t have to do anything crazy to restore access to my files

My goal is to never have the failure of a single hard drive keep me from accessing my files. I also want to NEVER need one of my backups to recover my files. I want to keep my active copy active at all times.


What do I do if my hard drive is lost, stolen, or destroyed?

This is the worst-case disaster question. If you only have one copy of your files, and they are lost, stolen, or destroyed, you’ve lost your photos forever.

The answer to this question is to make backups. Backups are off-line copies of your main volumes, and at least one backup should be stored in a separate location.

The easiest way for a photographer to create backups is to use software like EMC’s Retrospect to do an incremental backup every day to external hard drives. The software will automatically keep track of all your files and backup only the files that have changed since the last backup. Should your hard drive become lost, stolen, or destroyed, it will let you restore it just as it was at the time the last backup was made.

I have at least three “backup sets” at any given time, so I have multiple backups (increased safety) and it makes them easier to rotate offsite.

If you are using a good automatic duplication to protect against hard drive failure, you’ll probably never need your backups. But if you ever do need them, you will REALLY need them. I wouldn’t consider operating without them.


What do I do if I find that one or more files has become corrupt or unusable?

This is answered by having backups and archives. If a file has been corrupted, you need to go back in time to a point BEFORE the corruption occurred. A good backup and archiving strategy should allow you to do this, but it can be time consuming and difficult to find that exact file from the exact date before the corruption happened.

File corruption hasn’t happened to me often, but it is possible. Ask yourself what you would do if a shoot from the once-in-a-lifetime Safari became corrupt...if you photographed it with a digital camera, you can’t just rescan the film.


How much money am I willing to spend to lower risk level?

This is the big one. You could spend limitless amounts of money making your files safe. Multiple copies stored in multiple locations, including underground salt mines, across the world. The National Archives are going to be able to afford a more robust system than you and I, but there is a point of diminishing returns.

With a finite budget, we’ll always have to weigh the cost of each part of our protection scheme against the security it brings.

At a minimum, I want to have a automatic duplication system in place, have three active backup copies, and make occasional “archive copies” that let me “go back in time” to access copies of files as they were when the archive was made.

Is there one perfect system for everyone? No! That’s why I created these questions. They are open-ended, and you need to follow them as deep as they go to make sure you are comfortable with the answers.

That’s all for today, I have some backups that need my attention....

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